# California STAR Test and ELA and Math Practice Test

This is a free practice test for the California STAR Test and Common Core ELA and Math Tests.

The STAR and State Common Core Standards Tests measures a student’s performance in Writing, Reading, Mathematics, and Science and is given in grades 2 through 11.

These Free STAR Practice Questions were written by the Common Core Standards Testing Experts at TestingMom.com.  CA uses the Smarter Balanced Assessment Consortium Test (SBAC Test).

Try the test below, it is instantly scored with breakdowns by grade level so you have a choice of doing all the questions or just the grade level that is applicable.

### Kindergarten

 1. Point to five snails. a. 1st box b. 2nd box c. 3rd box d. 4th box
 2. Which of these are different? a. 1st box b. 2nd box c. 3rd box d. 4th box

 3. Point to seven cats. a. 1st box b. 2nd box c. 3rd box d. 4th box
Look at all the shapes below.  Can you point to the…
 4. ...cone? Pointed to the Cube Did Not Point to the Cone

 5. Which of these are not the same? a. 1st box b. 2nd box c. 3rd box d. 4th box

 6. Fill in the missing symbol.1/5 ? 1/6 a. < b. = c. > d. ≤
 7. The picture below represents the fraction (2/)/3. Which of the following fractions is also represented with the picture below? a. 4/2 b. 2/4 c. 2/6 d. 4/6
Egypt and its River
by Edith A. How, B.A.

1          Egypt is a country in the north of Africa. It has sea to the north and sea to the east. On the north it is called the Mediterranean Sea, and on the east the Red Sea. On the west is the great sandy desert called the Sahara, and to the south are great forests and mountains.
2          Egypt itself is the land of the great River Nile. There is very seldom any rain there, and everyone has to get water from the great river. So all the people live near the Nile or the canals that lead out of it. A "canal" is a waterway, the channel of which has been dug by men. The big towns are where the river flows out into the sea, or where a canal meets the main stream, because the people bring their merchandise to market in boats.
3          All over the land are little villages, where many people live and work in the fields to grow food. Year by year when there is heavy rain in the mountains far away south, the River Nile rises and floods the fields. Then the people plant their seed quickly and get a good harvest. It is not difficult to understand why the egyptians love their great river, which gives them water for their fields and carrys them in their boats from place to place.
 8. In paragraph 3 of the text, how should the word "carrys" be spelled correctly? a. carris b. carries c. carryes d. carreys

THE FROG-PRINCE, by The Brothers Grimm

One fine evening a young princess put on her bonnet and clogs, and went out to take a walk by herself in a wood; and when she came to a cool spring of water, that rose in the midst of it, she sat herself down to rest a while. Now she had a golden ball in her hand, which was her favourite plaything; and she was always tossing it up into the air, and catching it again as it fell. After a time she threw it up so high that she missed catching it as it fell; and the ball bounded away, and rolled along upon the ground, till at last it fell down into the spring. The princess looked into the spring after her ball, but it was very deep, so deep that she could not see the bottom of it. Then she began to bewail her loss, and said, 'Alas! if I could only get my ball again, I would give all my fine clothes and jewels, and everything that I have in the world.'

Whilst she was speaking, a frog put its head out of the water, and said, 'Princess, why do you weep so bitterly?' 'Alas!' said she, 'what can you do for me, you nasty frog? My golden ball has fallen into the spring.' The frog said, 'I want not your pearls, and jewels, and fine clothes; but if you will love me, and let me live with you and eat from off your golden plate, and sleep upon your bed, I will bring you your ball again.' 'What nonsense,' thought the princess, 'this silly frog is talking! He can never even get out of the spring to visit me, though he may be able to get my ball for me, and therefore I will tell him he shall have what he asks.' So she said to the frog, 'Well, if you will bring me my ball, I will do all you ask.' Then the frog put his head down, and dived deep under the water; and after a little while he came up again, with the ball in his mouth, and threw it on the edge of the spring. As soon as the young princess saw her ball, she ran to pick it up; and she was so overjoyed to have it in her hand again, that she never thought of the frog, but ran home with it as fast as she could. The frog called after her, 'Stay, princess, and take me with you as you said,' But she did not stop to hear a word.

The next day, just as the princess had sat down to dinner, she heard a strange noise—tap, tap—plash, plash—as if something was coming up the marble staircase: and soon afterwards there was a gentle knock at the door, and a little voice cried out and said:
'Open the door, my princess dear,
Open the door to thy true love here!
And mind the words that thou and I said
By the fountain cool, in the greenwood shade.'

Then the princess ran to the door and opened it, and there she saw the frog, whom she had quite forgotten. At this sight she was sadly frightened, and shutting the door as fast as she could came back to her seat. The king, her father, seeing that something had frightened her, asked her what was the matter. 'There is a nasty frog,' said she, 'at the door, that lifted my ball for me out of the spring this morning: I told him that he should live with me here, thinking that he could never get out of the spring; but there he is at the door, and he wants to come in.'

While she was speaking the frog knocked again at the door, and said:
'Open the door, my princess dear,
Open the door to thy true love here!
And mind the words that thou and I said
By the fountain cool, in the greenwood shade.'

Then the king said to the young princess, 'As you have given your word you must keep it; so go and let him in.' She did so, and the frog hopped into the room, and then straight on—tap, tap—plash, plash—from the bottom of the room to the top, till he came up close to the table where the princess sat. 'Pray lift me upon chair,' said he to the princess, 'and let me sit next to you.' As soon as she had done this, the frog said, 'Put your plate nearer to me, that I may eat out of it.' This she did, and when he had eaten as much as he could, he said, 'Now I am tired; carry me upstairs, and put me into your bed.' And the princess, though very unwilling, took him up in her hand, and put him upon the pillow of her own bed, where he slept all night long. As soon as it was light he jumped up, hopped downstairs, and went out of the house. 'Now, then,' thought the princess, 'at last he is gone, and I shall be troubled with him no more.'

But she was mistaken; for when night came again she heard the same tapping at the door; and the frog came once more, and said:
'Open the door, my princess dear,
Open the door to thy true love here!
And mind the words that thou and I said
By the fountain cool, in the greenwood shade.'

And when the princess opened the door the frog came in, and slept upon her pillow as before, till the morning broke. And the third night he did the same. But when the princess awoke on the following morning she was astonished to see, instead of the frog, a handsome prince, gazing on her with the most beautiful eyes she had ever seen, and standing at the head of her bed.

He told her that he had been enchanted by a spiteful fairy, who had changed him into a frog; and that he had been fated so to abide till some princess should take him out of the spring, and let him eat from her plate, and sleep upon her bed for three nights. 'You,' said the prince, 'have broken his cruel charm, and now I have nothing to wish for but that you should go with me into my father's kingdom, where I will marry you, and love you as long as you live.'

The young princess, you may be sure, was not long in saying 'Yes' to all this; and as they spoke a gay coach drove up, with eight beautiful horses, decked with plumes of feathers and a golden harness; and behind the coach rode the prince's servant, faithful Heinrich, who had bewailed the misfortunes of his dear master during his enchantment so long and so bitterly, that his heart had well-nigh burst.

They then took leave of the king, and got into the coach with eight horses, and all set out, full of joy and merriment, for the prince's kingdom, which they reached safely; and there they lived happily a great many years.
 9. The princess was willing to promise the frog her love, but she did not plan on keeping this promise. What does this reveal about her? a. She values balls more than frogs. b. She is too rich. c. She is selfish. d. She has a kind heart.
 10. Which of the following BEST expressed the theme of The Frog-Prince? a. Always look out for yourself. b. Nature is beautiful. c. A princess' wealth does have a price. d. Never underestimate someone's power.

The following excerpt was taken from the book The Secret Garden, written by Frances Hodgson Burnett.

When Mary Lennox was sent to Misselthwaite Manor to live with her uncle everybody said she was the most disagreeable-looking child ever seen. It was true, too. She had a little thin face and a little thin body, thin light hair and a sour expression. Her hair was yellow. Her face was yellow, too, because she had been born in India and had always been ill in one way or another. Her father had held a position under the English Government and had always been busy and ill himself. Her mother had been a great beauty who cared only to go to parties and amuse herself. She had not wanted a little girl at all. When Mary was born she handed her over to the care of an Ayah, who was made to understand that if she wished to please the Mem Sahib she must keep the child out of sight as much as possible.

So when she was a sickly, fretful, ugly little baby she was kept out of the way. When she became a sickly, fretful, toddling thing she was kept out of the way also. She never remembered seeing familiarly anything but the dark faces of her Ayah and the other native servants. Because they always obeyed her and gave her her own way in everything, by the time she was six years old she was as tyrannical and selfish a little pig as ever lived. The young English governess who came to teach her to read and write disliked her so much that she gave up her place in three months. When other governesses came to try to fill it they always went away in a shorter time than the first one. So if Mary had not chosen to really want to know how to read books she would never have learned her letters at all.

One frightfully hot morning, when she was about nine years old, she awakened feeling very cross. She became crosser still when she saw that the servant who stood by her bedside was not her Ayah.

"Why did you come?" she said to the strange woman. "I will not let you stay. Send my Ayah to me."

The woman looked frightened, but she only stammered that the Ayah could not come. When Mary threw herself into a passion and beat and kicked her, she looked only more frightened and repeated that it was not possible for the Ayah to come to Missie Sahib.

There was something mysterious in the air that morning. Nothing was done in its regular order. Several of the native servants seemed missing, while those whom Mary saw slunk or hurried about with ashy and scared faces. But no one would tell her anything and her Ayah did not come. She was actually left alone as the morning went on. At last she wandered out into the garden and began to play by herself under a tree near the veranda. She pretended that she was making a flower-bed. She stuck big scarlet hibiscus blossoms into little heaps of earth. The entire time she was growing more and more angry and muttering to herself the things she would say and the names she would call Saidie when she returned.
 11. Which answer identifies the meaning of the Latin prefix "dis" as it is found in the phrase "disagreeable-looking? a. opposite of b. argument c. thin d. ill
 12. Which of the following demonstrates the strongest difference between Mary's mother and father? a. Her father was not handsome, but her mother was a great beauty. b. Her father worked for the government, but her mother only liked to attend parties. c. Her father wanted a child, but her mother did not. d. Her father spent time with her, but her mother did not.
 13. Which of the following quotes reveals why Mary learned how to read? a. The young English governess who came to teach her to read and write disliked her so much that she gave up her place in three months. b. When other governesses came to try to fill it they always went away in a shorter time than the first one. c. So when she was a sickly, fretful, ugly little baby she was kept out of the way. d. So if Mary had not chosen to really want to know how to read books she would never have learned her letters at all.

 14. Determine the quotient of 4.86 and 0.24. a. 2.025 b. 4.62 c. 5.1 d. 20.25
 15. Mrs. Fitzgerald has 88 marbles and 56 caps. If she wants to give each student the same amount of marbles and caps after school, what is the greatest number of students she can invite to take part in this learning? a. 2 b. 4 c. 8 d. 14

Excerpt from THE RAILWAY CHILDREN
Chapter I. The beginning of things.
By E. Nesbit

They were not railway children to begin with. I don't suppose they had ever thought about railways except as a means of getting to Maskelyne and Cook's, the Pantomime, Zoological Gardens, and Madame Tussaud's. They were just ordinary suburban children, and they lived with their Father and Mother in an ordinary red-brick-fronted villa, with coloured glass in the front door, a tiled passage that was called a hall, a bath-room with hot and cold water, electric bells, French windows, and a good deal of white paint, and 'every modern convenience', as the house-agents say.
There were three of them. Roberta was the eldest. Of course, Mothers never have favourites, but if their Mother HAD had a favourite, it might have been Roberta. Next came Peter, who wished to be an Engineer when he grew up; and the youngest was Phyllis, who meant extremely well.
Mother did not spend all her time in paying dull calls to dull ladies, and sitting dully at home waiting for dull ladies to pay calls to her. She was almost always there, ready to play with the children, and read to them, and help them to do their home-lessons. Besides this she used to write stories for them while they were at school, and read them aloud after tea, and she always made up funny pieces of poetry for their birthdays and for other great occasions, such as the christening of the new kittens, or the refurnishing of the doll's house, or the time when they were getting over the mumps.
These three lucky children always had everything they needed: pretty clothes, good fires, a lovely nursery with heaps of toys, and a Mother Goose wall-paper. They had a kind and merry nursemaid, and a dog who was called James, and who was their very own. They also had a Father who was just perfect—never cross, never unjust, and always ready for a game—at least, if at any time he was NOT ready, he always had an excellent reason for it, and explained the reason to the children so interestingly and funnily that they felt sure he couldn't help himself.
You will think that they ought to have been very happy. And so they were, but they did not know HOW happy till the pretty life in the Red Villa was over and done with, and they had to live a very different life indeed.
The dreadful change came quite suddenly.
Peter had a birthday—his tenth. Among his other presents was a model engine more perfect than you could ever have dreamed of. The other presents were full of charm, but the Engine was fuller of charm than any of the others were.
Its charm lasted in its full perfection for exactly three days. Then, owing either to Peter's inexperience or Phyllis's good intentions, which had been rather pressing, or to some other cause, the Engine suddenly went off with a bang. James was so frightened that he went out and did not come back all day. All the Noah's Ark people who were in the tender were broken to bits, but nothing else was hurt except the poor little engine and the feelings of Peter. The others said he cried over it—but of course boys of ten do not cry, however terrible the tragedies may be which darken their lot. He said that his eyes were red because he had a cold. This turned out to be true, though Peter did not know it was when he said it, the next day he had to go to bed and stay there. Mother began to be afraid that he might be sickening for measles, when suddenly he sat up in bed and said:
"I hate gruel—I hate barley water—I hate bread and milk. I want to get up and have something REAL to eat."
"What would you like?" Mother asked.
"A pigeon-pie," said Peter, eagerly, "a large pigeon-pie. A very large one."
So Mother asked the Cook to make a large pigeon-pie. The pie was made. And when the pie was made, it was cooked. And when it was cooked, Peter ate some of it. After that his cold was better. Mother made a piece of poetry to amuse him while the pie was being made. It began by saying what an unfortunate but worthy boy Peter was, then it went on:
`      He had an engine that he loved`
`        With all his heart and soul,`
`      And if he had a wish on earth`
`        It was to keep it whole.`

`      One day—my friends, prepare your minds;`
`        I'm coming to the worst—`
`      Quite suddenly a screw went mad,`
`        And then the boiler burst!`

`      With gloomy face he picked it up`
`        And took it to his Mother,`
`      Though even he could not suppose`
`        That she could make another;`

`      For those who perished on the line`
`        He did not seem to care,`
`      His engine being more to him`
`        Than all the people there.`

`      And now you see the reason why`
`        Our Peter has been ill:`
`      He soothes his soul with pigeon-pie`
`        His gnawing grief to kill.`

`      He wraps himself in blankets warm`
`        And sleeps in bed till late,`
`      Determined thus to overcome`
`        His miserable fate.`

`      And if his eyes are rather red,`
`        His cold must just excuse it:`
`      Offer him pie; you may be sure`
He never will refuse it.
 16. How does Mother MOST LIKELY compare to other mothers from the same time period and area? a. She is less attentive. b. She is more attentive. c. She is prettier. d. She is smarter.
 17. After reading the first paragraph, what can be surmised about the family being discussed? a. They are poor. b. They are uneducated. c. They have the necessities of life. d. Their home life is unstable.

Read “Stopping by Woods on a Snowy Evening” and “Ah Sunflower” and answer the questions that follow.

## Stopping by Woods on a Snowy Evening

By:  Robert Frost

Whose woods these are I think I know.
His house is in the village, though;
He will not see me stopping here
To watch his woods fill up with snow.

My little horse must think it queer
To stop without a farmhouse near
Between the woods and frozen lake
The darkest evening of the year.

He gives his harness bells a shake
To ask if there is some mistake.
The only other sound's the sweep
Of easy wind and downy flake.

The woods are lovely, dark, and deep,
But I have promises to keep,
And miles to go before I sleep,
And miles to go before I sleep.

## Ah Sunflower

By:  William Blake

Ah Sunflower, weary of time,
Who countest the steps of the sun;
Seeking after that sweet golden clime
Where the traveller's journey is done;

Where the Youth pined away with desire,
And the pale virgin shrouded in snow,
Arise from their graves, and aspire
Where my Sunflower wishes to go!

 18. Read the following line from "Ah Sunflower".....Where the Youth pined away with desire...What does the underlined word MOST LIKELY mean? a. rejected b. ached c. obtained d. received
 19. Which poem accurately reflects these poems' point of views? a. "Stopping by Woods on a Snowy Evening" is from a human narrator's perspective, while the other poem is from the viewpoint of a sunflower. b. Both poems are told from the perspective of a lost man. c. "Ah Sunflower" is told in first person, while the other poem is told in third person. d. Both poems share the first person point of view.
 20. Which poetic device do both of these poems contain? a. metaphor b. simile c. onomatopoeia d. rhyme

California STAR Test and ELA and Math Testing